Opening sequence for the reboot Magnum. Like the Five-O reboot, they kept the original music, but shortened the credits several seconds from the originals…no doubt to make room for more commercials. The reboot had noticeable cost cutting compared to the 80s series from the start. We never saw an exterior shot of the “Masters estate”, only a couple interior sets. The original series always had establishing exterior shots of the estate and a significant amount of many stories took place on the estate grounds. That Hughes 500D got pretty rare in the last season too. Apparently, CBS figured that yet another “Bachelorettes who think they can dance”, even with mediocre ratings will be more profitable, because they cost peanuts to produce. Onward, schlock product!
I was a huge fan of the original, but just couldn’t get into the reboot. For one, the original Magnum character was all brash and cocky on the outside, but on the inside he was kind of insecure. He’d take advantage of his friends. He’d get whiney. He’d do the wrong thing. In short, he was an actual human. The new guy just seems to act cool all the time.
In the couple episodes I watched, they didn’t do any real detective work. Higgins would just pull info off the internet. Boom! Crime solved. Yawn.
And let’s keep in mind (spoiler alert): Higgins is Robin Masters. I don’t see how that works in the reboot.
Finally, I’m a musician (guitar) and my biggest musical influences are 70’s and 80’s TV cop show theme songs. The original Magnum theme was genius, anchored the great Larry Carlton ripping a driving a two-note guitar riff. It is just badass. The reboot guitar guy is okay, but he’s just not as good. And they chop up the theme to make it shorter, but it is no longer a coherent piece of music. Really, an abomination in comparison to the original.
P.S. Probably the greatest TV cop show theme is Streets of San Francisco Season 4. Why Season 4? Because it features Larry Carlton (again) going completely off the hook on the wah-wah pedal. In early seasons he’s kind of subdued (but deeply cool), but in Season 4 he goes completely nuts. One of the greatest wah pedal guitar parts ever recorded IMO, surpassing the Theme from Shaft (played by Skip Pitts).
Tragically, in a bizarre crime against humanity, some Hollywood suit decided there should be a voice over during the completely insane Tom Scott sax solo. I’m generally against the death penalty, but that guy kinda deserves it.
https://youtu.be/3AyNhlhGinw